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The Farmer and the Clown

June 14, 2019

The Farmer and the Clown:

Written and illustrated by Marla Frazee
Fiction
Wordless picture book

Awards:

  • Starred Reviews in School Library JournalKirkusPublishers WeeklyHorn BookChildren’s Bookshelf, and Bulletin
  • 2015 Boston Globe – Horn Book Picture Book Award
  • Publishers Weekly Best Children’s Book of the Year 2014
  • Kirkus Best Children’s Book of of the Year 2014
  • New York Times Book Review “Notable Book of 2014”
  • An NPR Favorite Book of 2014
  • Fall 2014 Kid’s Indie Next List
  • A 2014 Junior Library Guild Selection
  • Horn Book Fanfare Book 2014
  • A Boston Globe Best Picture Book of 2014
  • A Shelf Awareness Best Book of 2014
  • Bulletin Blue Ribbon Book for 2014
  • Huffington Post’s “Best Friendship” Book for 2014
  • USA illustration nominee for the IBBY Honour List
  • 2015 Golden Kite Honor for Picture Book Illustration
  • National Cartoonist Society 2015 “Silver Reuben” Award Nominee for Book Illustration
  • NCTE Charlotte Huck Award for Outstanding Fiction for Children Honor Book
  • Southern California Independent Booksellers Association 2015 Children’s Picture Book Award
  • An ALA Notable Book
  • A CCBC Choice Award
  • A Bank Street Best Book of 2015
  • USA Illustration choice for the International Board on Books for Young People (IBBY) 2016
  • Georgia Book Award Nominee

About the author/illustrator:

Marla Frazee is a writer and illustrator from Los Angeles. Marla attended the Art Center College of Design. She has written and illustrated a number of award winning picture books in addition to The Farmer and the Clown including Boot & Shoe, God Got a Dog, Roller Coaster, Santa Claus the World’s Number One Toy Expert, The Boss Baby, The Seven Silly EatersStars, and Walk On!. Her love for writing and illustrating began early on and the first book she ever created, The Friendship Circle, won an award at the California State Fair and was duplicated for her school’s library. She has found inspiration in the works of other writers and illustrators, including Maurice Sendak and Robert McCloskey.

Book Summary:

The Farmer and the Clown is a wordless picture book about a little clown that gets separated from his circus family and is found by a lonely farmer. A new and unlikely friendship is formed between the two characters that changes them both forever. The farmer quickly stops frowning and learns to be playful as the companions care for each other. When the clown’s family returns, the new friends must heartbreakingly hug and wave goodbye. The farmer returns home and we can predict another unlikely friendship as a circus monkey is sneakily following him home.

Image result for the farmer and the clown support active learning

Marla uses subdued hues and tones and splashes of color to convey meaning and evoke feelings. The book starts out with virtually no color until the little clown falls out of the train. Before the clown arrives, the farmer has a scowl on his face, working hard in the field, all alone, and with 3 black birds flying overhead. In addition to using facial expressions to tell the story, Marla also uses body language. When the train goes by, the farmer stands with his hand on his hip and stares at the train. It is almost as if he is annoyed by its presence and how it has interrupted him. Then when the clown flies out the back of the train, the farmer’s body language shows that he is shocked, he drops his rake and you can almost tell that his mouth is open in shock, even though he isn’t facing the reader. The farmer still doesn’t smile even though the cute little happy clown is excited to see him and runs over to hug him. Marla also utilized open space to convey meaning. The farmer is out there all alone and no one else is visible for miles. The landscape is flat and barren with one a single tree far off in the distance. Once it is nighttime, the little clown seems sad and most likely misses his family. On the next page the farmer tries to cheer up the clown. The illustrations become warmer and more color is added. The farmer finally has a smile on his face and runs around in a child-like playful and silly manner. The final pages are filled with all the things that the clown and the farmer do together. There’s less emphasis on empty space which lessens the feeling of loneliness that was created in the beginning of the story. The images change as the characters change.

Being a wordless picture book, students must work a little hard to find meaning and comprehend the events of the story as portraying in the images without the support of text. This is a great book for supporting the active learning and development of visual literacy. Students will need to slow down, pay close attention, and be aware of subtle details. I think this would be a great book for students to recognize and name feelings and emotions, for them to see how color, space, texture are used to create meaning and elicit certain feelings. Students can retell the story in their own words which would support the development of vocabulary, creativity, imagination, and allow them to play with language.

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The Wretched Stone

June 14, 2019

The Wretched Stone:

Written and illustrated by Chris Van Allsburg
Fiction
Picture book

Awards

  • IRA-CBC Children’s Choice
  • Reading Rainbow Review Book

About the author/illustrator

Chris Van Allsburg

Chris Van Allsburg is an American writer and illustrator of picture books, some of which have been turned into movies. He grew up Grand Rapids, Michigan and he studied art and sculpture at the University of Michigan. He has written and illustrated 19 picture books, many of which have won awards. Some of his more popular titles include The Polar Express and Jumanji.

Book Summary

The Wretched Stone is a unique and mystical story with a mysterious and suspenseful plot. The story takes place on the ship, Rita Anne, where a crew of sailors come upon an island. They explore the island and discover a glowing stone that they bring on board the ship. Then things start to go very, very wrong. The crew begins to act very strange and are mesmerized by the glowing rock. The captain must figure out how to get his crew back from the clutches of the strange, wretched stone.

Image result for the wretched stone

The Wretched Stone is written from the perspective of the Captain Randall Ethan Hope of the Rita Anne in the form of a daily log or journal. The illustrations are large, taking up the whole page, and the text is placed in a small box in the middle of the images. This is a unique format for a picture book where typically the text doesn’t cover up illustrations. The illustrations switch from showing the whole boat from a far away perspective to a more close up view of the events happening on the boat. The illustrations don’t always depict everything that is stated in the text. There is a need for the reader to use their imagination to make up for the things not shown in the text and illustrations. Chris rarely shows the faces of the characters, which adds to the feeling of mystery and wonder. When you do see their faces, it is after they have turned to monkeys and have blank stares and smiles with their teeth showing. We also never get to see the stone that is causing all the problems, again, adding to the mystery. There is an eerie mood throughout, especially once the crew brings the stone on board. This eerie mood is enhanced by the use of cooler hues and darker tones. Warmer hues come back into the illustrations after the storm and when the Captain is able to save his crew with music and books.

This book support active learning and the construction of knowledge of visual literacy and symbolism. Students have to read between the lines and create the full picture in their minds of the happenings in this story. There are so many symbols and metaphors to figure out. There is so much of the story that student have to infer based on the information from the logbook entries and the details in the illustrations. What does the rock symbolize? Why is it there and how did it come to be? Why monkeys? Why do they stop dancing. reading, and making music? Why doesn’t the stone affect the Captain? Students can also gain experience reading a book told in an unusual way, that is, in the form of entries in a logbook. The story is told in first person, rather than a third person, providing a unique perspective of the story’s happenings. Students can get into the mind of the Captain and feel what he feels as he tries to solve the mystery of that wretched stone and save his crew. There is also some great vocabulary in this story for students to add to their lexicon. Words like wretched, eerie, extraordinary, and scuttle.

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Grandfather’s Journey

June 14, 2019

Grandfather’s Journey

Written and illustrated by Allen Say
Fiction
Picture book

Image result for grandfather's journey

Awards

  • 1994 Caldecott Medal

About the author/illustrator

Allen Say is a Japanese-born American children’s book author and illustrator. Early in his life he lived in Tokyo where he had gone to follow his dream of being a cartoonist. He was apprentice for four years to a famous cartoonist, Noro Shinpe, before moving to California with his father at age sixteen. He has written and illustrated many award winning books. A lot of his books demonstrate autobiographic elements. He is currently living out his dream of creating art in Portland, Oregon.

Book Summary

This story is about a Japanese-American man recounting his grandfather’s travels back and forth from Japan to America. The man later embarks on the same journey and feels a stronger connection to his grandfather by the story’s end. They both share feelings of longing and homesickness for two countries at once.

Allen Say shows us the grandfather’s journey through beautifully detailed paintings that make us feel as if we are flipping through an old photo album. Each page is a portrait that shows us a part of the grandfather’s life. The pictures take up the whole page with a brief one or two sentence caption underneath, really allowing the reader to participate in the grandfather’s experiences, to feel how he might have felt. The story begins by saying the grandfather left home to see the world. This language immediately draws the reader in and creates a desire to turn the pages in order to find out what happens next. The last line in the book says, “I think I know my grandfather now. I miss him very much.” This language is powerful and intimate. It makes me feel as though I got to know his grandfather right along with him. Allen Say also utilizes a lot of figurative language that, when paired with the detailed paintings, create the feelings elicited from traveling and discovering new places. We feel like we are on the boat to America looking out on the vastness of the ocean and wearing unfamiliar clothing or in the desert with the enormous rock sculptures. After reading the story, I can really understand the feeling of longing for two places.

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This would be a great book to use at the beginning of the year when students may be feeling homesick or nervous about being in a new and unfamiliar place. It could lead to discussions about the varying experiences, beliefs, and values each student brings with them to the classroom. This book would also be useful for learning about immigration and emigration and building bridges between different cultures. The characters have strong emotional ties to more than one place, which would resonate with anyone who has relocated.

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The Journey Begins With a Good Book

Thanks for joining me! My name is Annie and I am currently an ECE teacher for a Discovery Link summer camp at Lincoln Elementary. I have taught one year of ECE so far at Highlands Academy, a year round private preschool. There I realized my passion and love for all things literacy! I started at UCD and started Guest Teaching for DPS this January. I am really looking forward to this class, getting to know everyone, and discovering new amazing books to bring into the classroom.

Good company in a journey makes the way seem shorter. — Izaak Walton